12.11.2023
Kritikerspiegel |
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Unerbittlich, unbestechlich: Hier bewerten die Nachwuchs-Kritiker*innen die Filme des 42. Filmschoolfest Munich
Programm 1 & 2
| Titel | Regie | Filmschule | Marion Biendl | Jakob Gerstmayr | Lee Redepenning | Anna Schellkopf |
|---|---|---|---|---|---|---|
| Mistida (P2) | Falcăo Nhaga | Lissabon | . | . | + | +- |
| Mud Crab (P2) | David Robinson-Smith | Australien | . | . | +++ | + |
| The Other End of the Street | Kálmán Nagy | Wien | . | . | +- | +++ |
| Poisoned Well (P1) | Radek Ševčík | Bratislava | ++ | ++ | +++ | +++ |
| Seaweed (P1) | Liel Simon | Berlin (DFFB) | + | +- | + | + |
| Superdupermega- gigasingle (P1) |
Hĺkon Anton Olavsen | Norwegen | ++ | +++ | -- | – |
| This Will Not Be a Festivalfilm (P2) | Julia Orlik | Łódź | . | . | + | +- |
| Through Gloom (P1) | Arnas Balčiūnas | Litauen | + | + | +++ | +++ |
Programm 3 & 4
| Titel | Regie | Filmschule | Lilith Pape | Ellen Trautwein | Lee Redepenning | Anna Schellkopf |
|---|---|---|---|---|---|---|
| All My Scars Vanish in the Wind (P3) | Angélica Restrepo | Kolumbien | ++ | ++ | ++ | +++ |
| The Boy (P3) | Yahav Winner | Israel (Minshar School of Art) | +++ | ++ | + | + |
| Devil (P4) | Jan Bujnowski | Łódź | +- | +- | +++ | +++ |
| Don’t Blow It Up (P4) | Alžbeta Mačáková Mišejková | Prag | + | ++ | -- | - |
| Listen to My Voice (P4) | Zohar Orian Cohen | Israel (Sapir College) | +++ | ++ | +++ | +++ |
| The Load (P4) | Miranda Namicheishvili | Tiflis | ++ | + | ++ | ++ |
| Mumlife (P3) | Ruby Challenger | Australien | - | +- | - | +- |
| The Things to Come (P3) | Santiago Ráfales | Catalunya | ++ | +++ | + | +- |
Programm 5 & 6
| Titel | Regie | Filmschule | Marion Biendl | Lilith Pape | Lee Redepenning | Anna Schellkopf | Ellen Trautwein |
|---|---|---|---|---|---|---|---|
| Allégresse (P6) | Gillie Cinneri | IAD Belgien | . | +++ | - | - | +++ |
| Cadáver (P5) | Benjamin Kodboel | National Film and Television School London | + | +++ | +++ | +++ | . |
| To Die Before Dying (P6) | Jesús Lacorte | San Sebastián | . | ++ | +- | +- | +- |
| Mom’s Potatoes (P6) | Lili Zahavi | Filmakademie BW | . | +++ | - | +- | - |
| The Night Practice (P5) | Bogdan Alecsandru | Bukarest | - | +- | +++ | +++ | . |
| Perfect City (P5) | Shengwei Zhou | Univ. of California, Los Angeles | +- | +- | +++ | +++ | . |
| Taste of Home (P5) | Âni Vő | HFF München | ++ | ++ | +++ | +++ | . |
| Today’s Sunlight Falls Weakly on You (P6) | Lim Yuzheng | Singapur | . | +- | +++ | +++ | + |
Programm 7 & 8
| Titel | Regie | Filmschule | Jakob Gerstmayr | Clara Mittlmeier |
|---|---|---|---|---|
| Behind the Glass (P8) | Lucien Lepoutre | INSAS Belgien | ++ | . |
| Dede is Dead (P7) | Philippe Kastner | FAMU Prag | + | +- |
| Essay for the Memory (P8) | Denise Chirich | Buenos Aires | +- | . |
| Father.Son (P7) | Jakub Gomółka | Łódź | ++ | +++ |
| Final Forever (P7) | Tess Quatri | Norwegen | + | ++ |
| Eléna Weiss | Hamburg Media School | ++ | . | |
| Phalčne (P7) | Sarah-Anaďs Desbenoit | ENS Arts Paris-Cergy | +- | ++ |
| Son (P8) | Tomas Ponsteen | Amsterdam | + | . |
Programm 9 & 10
| Titel | Regie | Filmschule | Marion Biendl | Anne Krones | Lee Redepenning | Anna Schellkopf |
|---|---|---|---|---|---|---|
| All About My Body Hair (P9) | Bella Meer, Kristiina Kekomäki | Helsinki | -- | . | + | + |
| Borrowed Hands (P9) | Adrián Monroy Molina | Mexiko | -- | . | ++ | ++ |
| Conej Steps Out (P10) | Pablos Río | DigiPen Bilbao | . | + | --- | --- |
| Goodbye Words (P10) | Laura Rantanen | Helsinki | . | +- | ++ | +++ |
| The Fuse (P10) | Kevin Haefelin | Kyoto Filmmaker’s Lab | . | +++ | ++ | +++ |
| Kinship (P10) | Orin Kadoori | Tel Aviv | . | + | --- | --- |
| The Voice of Others (P10) | Fatima Kaci | Fémis Paris | +- | . | +++ | +++ |
| Water (P9) | Triparna Maiti | Kalkutta | ++ | . | + | ++ |
+++ herausragend
++ stark
+ solide
+- zwiespältig
- mäßig
-- schwach
--- indiskutabel
Eine Kooperation mit der Ludwig-Maximilians-Universität München.